Jenny Gräf is interested in collaborative curatorial work that supports visibility and access to the unseen, subcultural, experimental, and cthonic.

På Den Anden Side Biennial 2019 – 2020 on Hårbølle Møn, Denmark, in collaboration with PDAS Forening, with support from Statens Kunstfond, Vordingborg Kommune and Sønning Fonden https://pdas.dk/biennalen-2020/ https://pdas.dk/ https://pdas.dk/foreningen/

Lacephase Sound Performance Festival, Copenhagen and Stockholm 2016 https://seismograf.org/nyhed/lacephase-skandinavisk-sound-performance-festival with support from Nordisk Kulturfond, in collaboration with Christian Pallin

Sound Forms Symposium and Performances, Copenhagen October 2018 https://www.snyk.dk/sound-forms-tre-dage-med-fokus-p%C3%A5-lydkunst-og-forskning-0 and https://soundingbodies.kunstakademiet.dk/sound-forms-symposium/ with support from Statens Kunstfond, Det Kongelige Dansk Kunstakademiet, Rytmisks Musik Conservatorium, Københavns Universitet, Koncertkirken and Sorte Firkant

Live Release, a listening convergence in the time of the Covid-19 Pandemic, in collaboration with Droplet Radio, The Lake Radio and Kirstine Mose. https://livereleaseconvergence.tumblr.com/?fbclid=IwAR0VBZTjqcFmrX7bNwksZspM7vrCRkcqh_eOKbRmkJnchqgR-86LHVPnOdA listen here: https://soundcloud.com/thelakeradio/live-release-a-listening-convergence

Transmodern Performance Festival, Baltimore Maryland 2009 – 20012 http://transmodernfestival.com/

Red Room Collective and High Zero Improvised Music Festival, 2011-2013 https://www.highzero.org/

Cthonic Cartographers, Chesapeake Gallery at Harford Community College and 14k Cabaret in Baltimore, 2005